Mythology: The Classic Vampire

It is believed the character of Dracula in Bram Stoker’s novel was based upon the historical figure Vlad Tepes (pronounced tse-pesh), who ruled Wallachia in the mid 15th century. He was also called by the names Vlad III, Vlad Dracula and Vlad the Impaler. The word Tepes translates to “impaler” and was so coined because of Vlad’s propensity to punish victims by impaling them on stakes, then displaying them publicly to frighten his enemies and to warn would-be transgressors of his strict moral code. He is credited with killing between 40,000 to 100,000 people in this fashion.

Origin of the name “Dracula”

King Sigismund of Hungary, who became the Holy Roman Emperor in 1410, founded a secret fraternal order of knights called the Order of the Dragon to uphold Christianity and defend the Empire against the Ottoman Turks. Its emblem was a dragon, wings extended, hanging on a cross. Vlad III’s father (Vlad II) was admitted to the Order around 1431 because of his bravery in fighting the Turks. From 1431 onward Vlad II wore the emblem of the order and later, as ruler of Wallachia, his coinage bore the dragon symbol.

The word for dragon in Romanian is “drac” and “ul” is the definitive article. Vlad III’s father thus came to be known as “Vlad Dracul,” or “Vlad the dragon.” In Romanian the ending “ulea” means “the son of”. Under this interpretation, Vlad III thus became Vlad Dracula, or “the son of the dragon.” (The word “drac” also means “devil” in Romanian. The sobriquet thus took on a double meaning for enemies of Vlad Tepes and his father.)

Historical Background

For nearly one thousand years Constantinople had stood as the protecting outpost of the Byzantine or East Roman Empire, and blocked Islam’s access to Europe. The Ottomans penetrated deep into the Balkans during this time. With the fall of Constantinople in 1453 under Sultan Mohammed the Conqueror, all of Christendom was suddenly threatened by the armed might of the Ottoman Turks. The Hungarian Kingdom to the north and west of Wallachia, which reached it’s zenith during this same time, assumed the ancient mantle as defender of Christendom.

The rulers of Wallachia were thus forced to appease these two empires to maintain their survival, often forging alliances with one or the other, depending upon what served their self-interest at the time. Vlad III is best known by the Romanian people for his success in standing up to the encroaching Ottoman Turks and establishing relative independence and sovereignty (albeit for a relatively brief time).

Another factor influencing political life was the means of succession to the Wallachian throne. The throne was hereditary, but not by the law of primogeniture. The boyars (wealthy land-owning nobles) had the right to elect the voivode (prince) from among various eligible members of the royal family. This allowed for succession to the throne through violent means. Assassinations and other violent overthrows of reigning parties were thus rampant. In fact, both Vlad III and his father assassinated competitors to attain the throne of Wallachia.

In 1444 Hungary broke the peace and launched the Varna Campaign, led by John Hunyadi, in an effort to drive the Turks out of Europe. Hunyadi demanded that Vlad Dracul fulfill his oath as a member of the Order of the Dragon and a vassal of Hungary and join the crusade against the Turks, yet the wily politician still attempted to steer a middle course. Rather than join the Christian forces himself, he sent his oldest son, Mircea. Perhaps he hoped the Sultan would spare his younger sons if he himself did not join the crusade.

On receiving news of Vlad Dracul’s death the Turks released Vlad III and supported him as their own candidate for the Wallachian throne. In 1448, at the age of seventeen, Vlad III managed to briefly seize the Wallachian throne. Yet within two months Hunyadi forced him to surrender the throne and flee to his cousin, the Prince of Moldavia. Vlad III’s successor to the throne, however—Vladislov II—unexpectedly instituted a pro-Turkish policy, which Hunyadi found to be unacceptable. He then turned to Vlad III, the son of his old enemy, as a more reliable candidate for the throne, and forged an allegiance with him to retake the throne by force. Vlad III received the Transylvanian duchies formerly governed by his father and remained there, under the protection of Hunyadi, waitng for an opportunity to retake Wallachia from his rival.

Vlad III was born in November or December of 1431 in the Transylvanian city of Sighisoara. At the time his father, Vlad II (Vlad Dracul), was living in exile in Transylvania. The house where he was born is still standing. It was located in a prosperous neighborhood surrounded by the homes of Saxon and Magyar merchants and the townhouses of the nobility.

Little is known about the early years of Vlad III’s life. He had an older brother, Mircea, and a younger brother, Radu the Handsome. His early education was left in the hands of his mother, a Transylvanian noblewoman, and her family. His real education began in 1436 after his father succeeded in claiming the Wallachian throne by killing his Danesti rival. His training was typical to that of the sons of nobility throughout Europe. His first tutor in his apprenticeship to knighthood was an elderly boyar who had fought against the Turks at the battle of Nicolopolis. Vlad learned all the skills of war and peace that were deemed necessary for a Christian knight.

In 1444, at the age of thirteen, young Vlad and his brother Radu were sent to Adrianople as hostages, to appease the Sultan. He remained there until 1448, at which time he was released by the Turks, who supported him as their candidate for the Wallachian throne. Vlad’s younger brother apparently chose to remain in Turkey, where he had grown up. (Radu is later supported by the Turks as a candidate for the Wallachian throne, in opposition to his own brother, Vlad.)

More than anything else the historical Dracula is known for his inhuman cruelty. Impalement was Vlad III’s preferred method of torture and execution. Impalement was and is one of the most gruesome ways of dying imaginable, as it was typically slow and painful.

Vlad usually had a horse attached to each of the victim’s legs and a sharpened stake was gradually forced into the body. The end of the stake was usually oiled and care was taken that the stake not be too sharp, else the victim might die too rapidly from shock. Normally the stake was inserted into the body through the buttocks and was often forced through the body until it emerged from the mouth. However, there were many instances where victims were impaled through other body orifices or through the abdomen or chest. Infants were sometimes impaled on the stake forced through their mother’s chests. The records indicate that victims were sometimes impaled so that they hung upside down on the stake.

Vlad Tepes often had the stakes arranged in various geometric patterns. The most common pattern was a ring of concentric circles in the outskirts of a city that was his target. The height of the spear indicated the rank of the victim. The decaying corpses were often left up for months. It was once reported that an invading Turkish army turned back in fright when it encountered thousands of rotting corpses impaled on the banks of the Danube. In 1461 Mohammed II, the conqueror of Constantinople, a man not noted for his squeamishness, returned to Constantinople after being sickened by the sight of twenty thousand impaled Turkish prisoners outside of the city of Tirgoviste. This gruesome sight is remembered in history as “the Forest of the Impaled.”

Although impalement was Vlad Dracula’s favorite method of torture, it was by no means his only method. The list of tortures employed by this cruel prince reads like an inventory of hell’s tools: nails in heads, cutting off of limbs, blinding, strangulation, burning, cutting off of noses and ears, mutilation of sexual organs (especially in the case of women), scalping, skinning, exposure to the elements or to wild animals, and burning alive.

Vlad Dracula began his reign of terror almost as soon as he came to power. His first significant act of cruelty may have been motivated by a desire for revenge as well as a need to solidify his power. Early in his main reign he gave a feast for his boyars and their families to celebrate Easter. Vlad was well aware that many of these same nobles were part of the conspiracy that led to his father’s assassination and the burying alive of his elder brother, Mircea. Many had also played a role in the overthrow of numerous Wallachian princes. During the feast Vlad asked his noble guests how many princes had ruled during their lifetimes. All of the nobles present had outlived several princes. None had seen less then seven reigns. Vlad immediately had all the assembled nobles arrested. The older boyars and their families were impaled on the spot. The younger and healthier nobles and their families were marched north from Tirgoviste to the ruins of his castle in the mountains above the Arges River. The enslaved boyars and their families were forced to labor for months rebuilding the old castle with materials from a nearby ruin. According to the reports they labored until the clothes fell off their bodies and then were forced to continue working naked. Very few survived this ordeal.

Vlad Tepes’ atrocities against the people of Wallachia were usually attempts to enforce his own moral code upon his country. He appears to have been particularly concerned with female chastity. Maidens who lost their virginity, adulterous wives and unchaste widows were all targets of Vlad’s cruelty. Such women often had their sexual organs cut out or their breasts cut off, and were often impaled through the vagina on red-hot stakes. One report tells of the execution of an unfaithful wife. Vlad had the woman’s breasts cut off, then she was skinned and impaled in a square in Tirgoviste with her skin lying on a nearby table. Vlad also insisted that his people be honest and hard working. Merchants who cheated their customers were likely to find themselves mounted on a stake beside common thieves.

The End of Vlad III

The Turks finally succeeded in forcing Vlad to flee to Transylvania in 1462. Reportedly, his first wife committed suicide by leaping from the towers of Vlad’s castle into the waters of the Arges River rather than surrender to the Turks. Vlad escaped through a secret passage and fled across the mountains into Transylvania and appealed to Matthias Corvinus for aid. The king immediately had Vlad arrested and imprisoned in a royal tower.

There is some debate as to the exact length of Vlad’s confinement. The Russian pamphlets indicate that he was a prisoner from 1462 until 1474. However, during this period he was able to gradually win his way back into the graces of Matthias Corvinus and ultimately met and married a member of the royal family (possibly the sister of Corvinus) and fathered two sons. It is unlikely that a prisoner would be allowed to marry a member of the royal family. As the eldest son was about 10 years old at the point Vlad regained the Wallachian throne in 1476, his release probably occurred around 1466.

Vlad Dracula was killed in battle against the Turks near the town of Bucharest in December of 1476. Some reports indicate that he was assassinated by disloyal Wallachian boyars just as he was about to sweep the Turks from the field. Other accounts have him falling in defeat, surrounded by the ranks of his loyal Moldavian bodyguard. Still other reports claim that Vlad, at the moment of victory, was accidentally struck down by one of his own men. The one undisputed fact is that ultimately his body was decapitated by the Turks and his head sent to Constantinople where the sultan had it displayed on a stake as proof that the horrible Impaler was finally dead. He was reportedly buried at Snagov, an island monastery located near Bucharest.

The Origins of the Vampire Myth

It is certainly no coincidence that Bram Stoker chose the Balkans as the home of his famous vampire. The Balkans were still basically medieval even in Stoker’s time. They had only recently shaken off the Turkish yoke when Stoker started working on his novel and the superstitions of the Dark Ages were still prevalent.

The legend of the vampire was and still is deeply rooted in the Balkan region. There have always been vampire-like creatures in the mythologies of many cultures. However, the vampire, as he became known in Europe and hence America, largely originated in the Slavic and Greek lands of Eastern Europe.

A veritable epidemic of vampirism swept through Eastern Europe beginning in the late seventeenth century and continuing through the eighteenth century. The number of reported cases rose dramatically in Hungary and the Balkans. From the Balkans the plague spread westward into Germany, Italy, France, England and Spain. Travelers returning from the Balkans brought with them tales of the undead, igniting an interest in the vampire that has continued to this day.

Philosophers in the West began to study the phenomenon. It was during this period that Dom Augustin Calmet wrote his famous treatise on vampirism in Hungary. It was also during this period that authors and playwrights first began to explore the vampire myth. Stoker’s novel was merely the culminating work of a long series of works that were inspired by the reports coming from the region.

Did Bram Stoker base his Dracula upon the historical Dracula?

Although it is widely assumed, even among scholars, that Bram Stoker based his novel upon the historical figure of Vlad Tepes, there is at least one prominent scholar who challenges this assumption. Her name is Elizabeth Miller, a professor with the Department of English at Memorial University of Newfoundland. Her primary argument is that Bram Stoker kept meticulous notes of his references in creating Dracula, and none of the references contain specific information about the life and/or atrocities of Vlad Tepes.

There is fairly strong evidence the two Draculas are connected. Arguments in favor of this position include the following:

* The fictional Dracula and the historical Dracula share the same name. There can be no doubt that Bram Stoker based his character upon some reference to Vlad Dracula.
* Stoker researched various sources prior to writing the novel, including the Library at Whitby and literature from the British Museum. It is entirely possible that his readings on Balkan history would have included information about Vlad Tepes.
* Stoker was the friend of a Hungarian professor from Budapest, named Arminius Vambery, who he met personally on several occasions and who may have given him information about the historical Dracula.
* Some of the text of Stoker’s novel provides direct correlations between the fictional Dracula and Vlad Tepes (e.g., the fighting off of the Turks–also, the physical description of Dracula in the novel is very similar to the traditional image of Vlad Tepes.).
* Other references in the novel may also be related to the historical Dracula. For example, the driving of a stake through the vampire’s heart may be related to Vlad’s use of impalement; Renfield’s fixation with insects and small animals may have found inspiration in Vlad’s penchant for torturing small animals during his period of imprisonment; and Dracula’s loathing of holy objects may relate to Vlad’s renunciation of the Orthodox Church.

Professor Miller counters each of these arguments. In particular she notes the only reference provided by Stoker in his notes that contains any information about Vlad Tepes is a book by William Wilkinson entitled An Account of the Principalities of Wallachia and Moldavia (1820), which Stoker borrowed from the Whitby Public Library in 1890 while there on vacation. The book contains a few brief references to a “Voivode Dracula” (never referred to as Vlad) who crossed the Danube and attacked Turkish troops. Also, what seems to have attracted Stoker was a footnote in which Wilkinson states “Dracula in Wallachian language means Devil.” Stoker apparently supplemented this with scraps of Romanian history from other sources. Professor Miller argues that The Principalities of Wallachia and Moldavia is the only known source for Stoker’s information on the historical Dracula, and that everything else is mere speculation.

As far as Stoker’s acquaintance with the Hungarian professor Vambrey, Miller notes that the record only documents two meetings between the two individuals, and there is no evidence that Vambrey ever spoke of Vlad Tepes, vampires or Transylvania during their visits.

As far as any likeness between the historical Vlad Dracula and descriptions provided in the novel, professor Miller notes that it is most likely Stoker drew his description of Count Dracula from earlier villains in Gothic literature, or even from his own employer, Henry Irving.

In conclusion, Miller makes an assumption of her own: In the novel Stoker provides thorough historical detail obtained from his various references. Had he known about the atrocities of Vald Tepes, Miller argues, surely he would have included such information in his novel.

Source:The Vampire Book by J. Gordon Melton, Vampire in Lore and Legend by Montague Summers, Vampires and Vampirism by Montague Summers, The Shadow of the Vampire: The true story of the classic film Nosferatu by Kenneth Howard, The Element Encyclopedia of the Undead by Judika Illes and John and Caitilin Matthews, The Psychic Vampire by Elisabeth Huston, Judeo-Christian Myths and Legends by Sylvia Langston, and The Life of the Impaler by John Davies